19/08/25
Recently, I came across a post by Heidi Weinberg on LinkedIn that really resonated with me. She spoke about how, in just a few years, new designers will wonder how we ever worked without AI. It got me reflecting on my own journey with AI in fashion, and how far the technology has come since my first experiments.
I’ve tested a lot of different approaches over the years: sketch-to-image, prompt-to-image, and 3D-to-image. My go-to is (unsurprisingly) 3D-to-image, it’s the method that allows me to keep the most control over the final look. When you already have a precise garment in CLO3D, being able to enhance it with AI is powerful. But even then, AI sometimes has a mind of its own, and achieving an exact match to what you’ve envisioned isn’t always straightforward.
That’s why I’ve learned not to treat AI as a “final” design solution, but as a tool that works best at different stages of the creative process. In my experience, the most effective way to integrate AI into your workflow is:
See the workflow in practice: I’ve also created a short tutorial showing how I take a CLO3D render into Raspberry AI to explore a more photoreal result.
Watch: 3D Renders to Photorealism with CLO3D and Raspberry AI
These are tools I regularly test in my own workflow, from early idea generation to final e-commerce visuals. The right tool depends on your goal, whether that’s sparking inspiration, refining a 3D garment, or creating dynamic visuals.
💡 Idea Generation & Concept Development
🧵 3D to AI Refinement
🎥 3D to Video Animation
📌 Pro Tip: Combine your technical fashion skills with structured prompt engineering for the best results. A good formula is:
image style + end use + subject + product & style + location & lighting.
Go deeper: I’ve since explored this distinction further in AI vs 3D in Fashion: When a Beautiful Image Isn’t Production Ready, looking at why a convincing visual and a production-ready garment are not the same thing.
AI won’t replace skilled fashion designers, pattern makers, or product developers. But those who know their craft and know how to leverage technology will always be ahead.
For me, AI is not about replacing the design process, it’s more about enhancing it. It’s a way to speed up early-stage ideation, present concepts with impact, and create visuals that help brands and clients connect with a product before it even exists physically.
The technology is moving fast, but the principle remains the same: the strongest results come from combining AI with solid industry skills and a deep understanding of garment construction.